Sunday, 15 May 2011

Artists: The Worlds Only Hope?

I was going to start this blog off with a post describing what I thought Cultural Management was. However after reading the article “The Arts & Leadership: Now That We Can Do Anything What Will We Do?” by Nancy J. Adler, I felt much more inspired to write about it instead.
The main point of the article was pointing out the fact that the business world (and world at whole) is changing rapidly and to cope with this we must turn to the artists of the world for help. Personally, I found this article a little far reaching with its points. True, it was able to draw on many parallels between what the business world is currently in need of and what artists possess; however a correlation doesn’t prove that bringing artists into a business setting will solve the world’s problems as this article seemed to suggest.
For example, the article states that in the past businesses have taken on the form of a hierarchy, but as times are becoming more chaotic and globalization is spreading businesses are becoming networks of people instead. This means that a group of people are set to work on a common goal and must combine their resources to get the desired outcome. Therefore businesses are requiring people with skills similar to that of dancers, musicians, and actors, who work together to create their final product(ion). This all seems like a legitimate point to me, but I feel that the author takes it one step too far by making it seem like she thinks these businesses should be hiring dancers, actors and musicians. Yes we can learn from the models that these artists have developed and apply them to business and management practices, and yes creativity and innovation are becoming out most valuable resources we as humans have, but I don’t think hiring a dancer is going to improve performance in the workplace. Perhaps leaving the reader with this feeling was accidental on the author’s part but to me it feels like she is putting too much faith in one population of people (artists), and neglecting what we really need to focus on doing – combining our skills and working together. This would mean business people and artists (and other populations) sharing their knowledge, and actively seeking out an understanding of other peoples fields as well.
This point also seems to relate to the other article assigned for this week’s readings “Arts Management: A New Discipline Entering the Millennium?” (INSERT HYPERLINK) by Yves Evrard and Francois Colbert. In their writing they discuss how we define what art is and who an artist is. What Nancy J. Adler means when she suggests that businesses are going to need to rely on artists to thrive in the future, can vary tremendously by how you define an artist. Evard and Colbert stated that there are many criterion to consider, such as genius, the sublime, intentionality, auto-definition, and peer judgement.
In defense of Adler’s article I think she made many important remarks, and did an excellent job of explaining how the business worlds needs are changing, and how this will affect who they hire, and how we as the general population are changing in relation. My favourite part of the article was her discussion of how the world needs to learn to see past the illusion which we are currently living in. Franck was quoted saying “not seeing… may well be the root cause of the frightful suffering… we humans inflict on one another, on animals, and on Earth herself” “Franck’s cure: learning how to draw, and thus how to see.” I have personally experienced this reality, discovering that when sketching the world you must peel back the layers of what you see to expose the true image. I think this is a very good practice for anyone to participate in, to increase their awareness and take off the mask which we all dawn to protect ourselves from reality.
So in the end, I can see where Adler was attempting to reach in her discussion, and I feel she had many legitimate arguments. I just felt that she had far too much faith in one facet of the population to deal with the change and chaos going on. When personally I think we need to harness many more abilities than just creativity and innovation to deal with the change which is ahead of us.

Weird Fiction - Heidi Jahnke MFA Thesis Exhibition

On May 9, 2011 I attended Heidi Jahnke’s Masters of Fine Arts Thesis Exhibition. It took place in Gallery One, at the University of Waterloo Art Gallery (UWAG). Heidi Jahnke is a graduate of NSCAD’s Bachelor of Fine Arts Program, and is the recipient of the Sylvia Knight Award for Graduate Studio Excellence. The title of this exhibition was Weird Fiction –which I realized was a very appropriate title after attending the show. It was a salon style exhibit, including around 25 oil and acrylic on canvas paintings.

Weird Fiction - Heidi Jahnke (2011)

As I entered the gallery my attention was drawn first to the intense and saturated colours used in the paintings. I really enjoyed this, and was drawn to some paintings just for this reason.

Heidi Jahnke - Cake Pillow - 2011 - oil and acrylic on canvas

An example of this is the painting above in which both the background colours and most especially the mixture of colours in his eyes had me instantly captivated. These types of colours were recurrent throughout the exhibit something which I noticed and appreciated.
As I began walking around the show I kept being struck with the same feeling. Each time I came to a new painting I was struck at first with a feeling of comfort, as most of the paintings were of something very familiar. However, quickly following this was a feeling of unease, as I realized that these familiar things had been distorted and made “Weird”. I do not really know what Heidi was attempting to evoke in her audience, but to me it evoked a feeling of uneasiness. Things which were so normal and day to day were taken and morphed into something which had a definite dark side.
I think the subtlest yet darkest of this was the painting of a bunt cake (see below). At first glance it was a very ordinary painting, in fact it almost seemed like it didn’t belong, as nothing but the colours used were weird or fictitious. However upon further analysis, I noticed a bottle of comet kitchen cleaner behind the cake. This realization made all sorts of strange and dark stories and possibilities swirl within in my head.

Heidi Jahnke - Bunt Cake - 2011 - oil and acrylic on canvas


Comet Cleanser - http://www.amazon.com/Spic-Span-84919492-Comet-Cleanser/dp/B000VDWT9G

The gallery itself was quite interesting. From the outside (if you can find it at all) it does not look like anything in particular. It is housed in East Campus Hall (ECH), a building found on the eastern outskirts of the University of Waterloo Campus. UWAG shares ECH with the schools finance department, as well as uWaterloo’s mail centre. Not exactly a glamourous or attractive location.
Unlike most students on campus I actually did know that it existed before this class field trip. I find that most students the knowledge that an Art Gallery exists on campus is foreign. As for it’s relation to the Kitchener-Waterloo community I am not exactly sure; however I suspect that only people who are active in the artistic community know of it.
I think this lack of knowledge is in part because of uWaterloo’s general image. We are not known by the general population for many things other than science and technology. I personally would love to see this change, and think that it is possible for the knowledge of other faculties successes (such as UWAG) to become more known. In order for this to happen I think some kind of big eye catching, or creative and intriguing advertisement needs to be put in place. It takes a lot to get students out to any event, let alone an art gallery.
I also think having exhibits featuring art which ties in the interest of the rest of the students on campus would be helpful. For example some find of pop art/sculpture exhibit featuring outdated technology, or some exhibit featuring the newest most interesting technology being used as an art form. Once the gallery is more known on campus then getting people through the front door won’t be as difficult.
All in all it was a positive experience for me. I have been meaning to visit UWAG and am happy to have finally done so. While the show displayed was not generally to my taste, I did find some interesting pieces, and had some interesting thoughts evoked while visiting. I hope to visit again, and to see UWAG advertising a little more ruthlessly to increase the number of people walking through their door.


Sunday, 8 May 2011

What is Cultural Management?

What is cultural management? Before starting this course I was asked this question many times; however I was never really sure how to answer it. I hope this course helps me to find the answer to this question.